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Neumann TLM67

Multi-pattern mic with K 67 capsule; omni, cardioid and figure 8 patterns; pad and filter. Ships in wood box.

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The pearl gray and nickel TLM 67 Multi-Pattern Switchable Studio Microphone from Neumann is an omnidirectional, cardioid, and figure-8 large diaphragm microphone. The TLM 67 is based on the Neumann U 67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the circuit design closely reproduces the sound characteristics of the U 67, without the use of tubes. It has three switchable directional characteristics, selectable 10 dB pre-attenuation, and high-pass filter that permits detailed adjustments to be made, depending upon the specific recording situation.

Due to its control features, the TLM 67 is suitable for a wide range of applications. In addition to its primary role as a vocal microphone for all types of music and spoken voice, in orchestral recordings the TLM 67 can be used as a main microphone and as a spot microphone for individual instruments.

The microphone is addressed from the side. A large wire mesh grille encloses the elastically mounted double diaphragm capsule. The directional characteristics can be selected via a switch below the grille. The selected setting is indicated by a symbol shown in a window above the switch.

In the TLM 67, an electronic circuit is used rather than a conventional output transformer. Like a transformer, the circuit ensures good common mode rejection, effectively suppressing interference signals that affect the balanced modulation line. The microphone can operate at sound pressure levels of up to 105 dB without distortion, and has a dynamic range of 94 dB (A-weighted), without the use of the pre-attenuation switch.

The pre-attenuation switch on the back of the microphone can be used to reduce transmission levels by approximately 10 dB. It should be used only when there is a risk of overloading following devices due to very high sound pressure levels. Use of the switch does not increase the dynamic range of the microphone, but rather shifts it by 10 dB, to higher sound pressure levels. The other switch on the back of the microphone can be used to change the cutoff frequency of the built-in high-pass filter, so as to suppress the effects of impact sound and wind noise, or to compensate for the proximity effect. Elastic mounting of the capsule supplies protection from the transmission of structure-borne noise.

  • Sound characteristics based on the Neumann U 67
  • Three switchable directional characteristics (omnidirectional, cardioid, and figure-8)
  • Switchable high-pass filter and pre-attenuation
  • Transformerless circuit technology
  • Dual-color exterior design


Operating PrinciplePressure Gradient
Polar PatternCardioid, Figure 8, Omnidirectional
Frequency Range20 Hz to 20 kHz
Signal to Noise Ratio65: dB CCIROmnidirectional70: dB CCIRCardioid64: dB CCIRFigure 878: dB A-WeightedOmnidirectional83: dB A-WeightedCardioid77: dB A-WeightedFigure 8
Equivalent Noise LevelOmnidirectional: 29 dB CCIRCardioid: 24 dB CCIRFigure 8: 30 dB CCIROmnidirectional: 16 dB A-WeightedCardioid: 11 dB A-WeightedFigure 8: 17 dB A-Weighted
Maximum SPLOmnidirectional: 110 dB SPL Cardioid: 105 dB SPL Figure 8: 111 dB SPL Omnidirectional: 130 dB SPL Cardioid: 125 dB SPL Figure 8: 131 dB SPL
Impedance50 ohms
Load Impedance1 kOhms
SensitivityOmnidirectional: 10 mV/PA @ 1 kHz into 1 kOhmsCardioid: 18 mV/PA @ 1 kHz into 1 kOhmsFigure 8: 9 mV/PA @ 1 kHz into 1 kOhms
Power Requirements48 V
Output Connectors3-Pin XLR
Length7.87 " (200 mm )
Diameter2.20" (56 mm)
Weight1.08 lb (490 g)